Showing posts with label music venue. Show all posts
Showing posts with label music venue. Show all posts

Tuesday, October 02, 2018

Grassroots: Bad news from Sticky Mike

Some call it the toilet circuit, some call it grassroots, whatever the term the venues it applies to are those small, grungy places that provide one of the lower rungs on the music biz ladder. They are at the heart of their music community, providing a stage for local bands to gain valuable gigging experience and giving new acts the chance to build a following. Tucked away on Middle Street in Brighton, a short walk from a Jazz club that I've yet to find open, Sticky Mike's Frog Bar is very much one of those venues.

Unfortunately modern life is hard for grassroots venues such as Sticky Mike's. A combination of problems, such as redevelopment (both of the venues themselves or their surrounding area), local councils who don't (or won't) recognize the cultural significance of such places, or the plain old issue of money have meant that, over the past few years, the number of small venues across the UK has decreased.

To help counter the problems grassroots venues face, hopefully protecting and securing their the future, the Music Venue Trust was formed. The sterling effort of this charitable organisation has assisted many small venues across the country. The combined endeavours of the MVT, their partner organisations and their supporters, have this year successfully seen the introduction of agent of change protection into UK planning advice.

Sadly this protection has come to late for Sticky Mike's Frog Bar, and if you've not had the delight of venturing into the venue and down the stairs to the basement, your chances are finite. Today the venue announced that, due to "too many issues", it is to shut at the end of the year. After seven fun-packed years the doors will finally close as 2019 rolls in, with the venue saying goodbye with a series of parties and events before then.

Frustratingly the announcement of Sticky Mike's closure comes within days of the Talking Heads in Southampton shuttering, and let's not forgot that Portsmouth has lost both The Cellars (now redeveloped for housing) and the RMA Tavern in recent years. When a venue closes it's sad, infuriating, annoying and upsetting, it leaves a hole in both the local community and its economy. Add the knock-on effect for the music business in general and you're left scratching your head at why things have got into the state they have. Do we blame The Man? Do we blame the government? Or do we blame ourselves for not going to gigs more? 

Whatever the reason, and there is no one cause to point the finger of blame at, when a venue is gone and the posters in the window replaced by Estate Agent boards we at least have the memories of the good times spent there. Not great I know but, unless we see more changes to support our important yet tiny venues, that might be all we're left with.

Fingers crossed I'll get a chance to take in one last gig (or two) at Sticky Mike's before it closes, if not then I'll take this chance to wish hearty thank you to all involved in the venue for all the blood, sweat and tears invested in keeping it up and running for as long as possible. 

In closing, my abiding memory of Sticky Mike's is from The Great Escape several years ago, heading out of the sun and down into its low-ceilinged basement, to see the excellent Kassassin Street decimate any and all remaining traces of the previous night's hangover. Damn, that was a good gig (shame I took such a blurry photo, the pros and cons of being down the front I guess).

UPDATE: I've refreshed some of the text since first posted (as it was late when I posted and some bad grammar got the best of me). Also, if you've not yet seen it, it's worthwhile reading the Music Venue Trust's Facebook post on the subject (the paragraph pertaining to grants, subsidies and business rates is jaw-dropping to say the least).


Thursday, August 16, 2018

Susanna - 'Freight Train'

There are few better ways to entertain a musically inclined tourist to Portsmouth than by introducing them to the gem that is Southsea's Pie & Vinyl; with its wallet melting selection of shiny vinyl and delicious pies it deserves to be shown off. And so it was I found myself there the weekend just gone, treating a visitor from the Big Smoke to lunch, where I happened upon the shop's latest venture.

Beneath The Noise is the P&V free magazine, a near pocket-sized pamphlet of news, reviews and interviews that hit the shelves in time for this year's Record Store Day (I know, I've been busy). It's a well-assembled zine that sits well amongst the copies of So Young & DIY on the shop's shelves, what really grabbed my attention though was the cover.

Staring up at me was Susanna Wallumrød, possibly better known to some as half of Susanna & The Magical Orchestra (the other half being pianist Morten Qvenild) though now primarily a solo artist. I must confess that, since 2006's Melody Mountain, Susanna had fallen off my radar somewhat, thus the interview in BTN made for an interesting read to bring me up to date.
 
Susanna's latest release, Go Dig My Grave, is a collection of themed cover versions, performed with the same delicate nuance that I'd enjoyed with her Magical Orchestra releases (her version of Dolly Parton's Jolene has to be heard to be believed). The new album includes takes on the Lilac Wine, Perfect Day and Joy Division's Wilderness, her reworking of Elizabeth Cotten's Freight Train is presented below.




As a bonus, here are two live clips I've found, one of a Don Henley hit, the other an AC/DC classic (no really):




 
If you'd like to know more about Susanna I'd suggest toddling along to P&V, picking up a copy of Beneath The Noise, and having a read whilst you wait for your pie to arrive.

Thursday, June 14, 2007

Electric Six - Gay Bar

The sight of four young whippersnappers, dressed in hot-pants and skimpy pink vests, decorated with stick-on Abe Lincoln beards and stovepipe hats, brought much amusement to the bar of The Wedgewood Rooms last night. Electric Six headlining had something to do with it (well, I'm hoping it did, if not there's something dodgy afoot).

Unfortunately, not having seen the promo for Gay Bar, the connection was lost on Jim; us drunkenly explaining why four (most likely) students were dressed in such a manner didn't really help matters either. It's always best, I find, to show rather than tell:



Just plain bonkers I tell you.

Anyway, the band's latest album, Switzerland, has been out awhile and, whilst it didn't exactly set the charts alight, is worth a listen. If you head over to Fluxblog you should just about be in time to download one track, Mr Woman, before it drops off the site's server. Nice.