There is so much good new music out there, so many prospective new favourite bands and artists who want your ear's attention, that it can sometimes seem a struggle knowing where to begin with life's musical buffet. What's better, wilfing your way through SoundCloudor typing random characters into Spotify's search box? Should we wait for 6Musicto spin our new musical obsession or go along with Last.FM's "if you like this then you might like that" algorithms? Or, if you're at all like me, do you spread yourself across all options in a desire to hear as new music as you can? Decisions decisions, there are only so many hours in the day, etc etc.. One of the more sociable ways of encountering new music is obviously the humble gig where, just possibly, you might be lucky enough to catch a future stadium band in their first support slot (have I ever mentioned the time I saw The Killers play such a set at The Wedgewood Rooms?). Better yet are music festivals, sprawling events where a wider array of music is invariably on offer, although enjoyment of such events can depend on just how much confidence you have in your Wellingtons. If you fear that your galoshes are suspect, are distrustful of Ian McCaskill's brethren, or simply don't want to walk too far then fear not, these are salad days for indoor festivals, one or two day shindigs that offer tasty musical morsels in a mud-free environment. Portsmouthwas previously home to one such urban festival, SouthseaFest, an annual event that turned Albert Road's pubs into pop-up venues.
Unfortunately SouthseaFest is no longer running however, such was its impact, like-minded groups of promoters have channelled its spirit into a new series of microfestivals that call Pompey home; from the multi-venue joys of Dialsand Icebreakerto the one day, one venue affairs of Golden Touch and Follow The Sun, all showcase a variety of both local and national acts.
The latter of these returns to the Edge of The Wedge for a second instalment this July, with a hand-picked by London-based promoters CloseUp, with the Wedge's sibling venue boasting a compact and bijou performance space which offers punters the opportunity of enjoying an intimate musical experience without the need for a trusty pair of Hunters. The line-up for this year's instalment includes Londoners LONA and Shanghai Blues, local bands Sad Palace and Dutch Criminal Record, Southsea-based singer-songwriter Megan Linford, Isle of Wight indie-rockers JEPH(who release their new single, Space, via Honeymooneron Friday 5th July) and the hottest thing out of High Wycombe,Only Sun (woefully bad pun intended).
Topping the bill is Lauran Hibberd who, fresh from touring the UK &Europe alongside American indie-rock outfit Hippo Campus and supporting Norwegian pop-punk'sSløtfacein London, will be taking her wry brand of observational indie pop to this weekend's Glastonbury Festival. If you miss her sets on the Greenpeace& BBC Introducing stages you'd best get yourself a ticket for FollowThe Sun.
Follow The Sun 2019 takes place at the Edge of The Wedge on Saturday 13th July, with doors open from 1300. Tickets are priced at a very reasonable £10 (plus booking fee), available now either via TicketWeb or the venue, and punters are advised that the event has a 14+ age restriction.
Singer-songwriter Lauran Hibberd has a talent for blending a catchy tune with a fantastically snarky lyric, case in point new single Sugardaddy. Opening with an intro that Rivers Cuomo would be proud of, the song bounces along to a rolling riff which underpins the outrageously dark libretto. The chorus that joyfully infects your brain is one that could, quite easily, cause concerned glances from fellow travellers if sung aloud on the morning commute.
The Isle of Wight artist will soon be out touring with Minnesotan indieoutfitHippo Campus, supporting them at dates across the UK and Europe, with stops at the Shepherd's Bush Empire (Thursday 21st February), Bristol's SWX(Saturday 23rd February) and the Concorde 2 in Brighton (Sunday 24th February) along the way. I can definitely recommend her live set; I was fortunate enough to see her perform at Dialslast year, a polished performance of foot-tapping sarcasm and wry observation, interspersed with tales of travelling to Glasgow and song writing in a Citroen Berlingo. Fantastic.
Winchester's festival-in-a-day Winchestivalreturns for a third outing this June, descending once again on the city's North Walls for 12 hours of music, food and fun. The organisers have this week released details of the initial line-up and, it's safe to say, there's something here for everyone at this family friendly festival. The Gannon-Stoddard Family Singers (aka The Magic Numbers) headline the Main Stage, with Reading's Only The Poets, Southampton four-piece Submariner and the Isle of Wight's Lauran Hibberd also on the bill. Joining them are indie pop duo Decoand, opening proceedings, Osborne School's rock choir, Rubik's Cube, with further acts TBA. BBC Introducing Solent host the second stage this year, with a line-up featuring Southampton acts Bash! and Mystic Peach, south coast Beach Punks Remainders, the utterly mesmerising Bruch and, from Swanage, Galaxy Thief. For those who like to get their groove on there's a Disco Tent although, for my money, the Auntie Beeb's line-up looks the one to watch.
Winchestival 2019 takes place on Saturday 15th June, with advance tickets available now via EventBrite priced at £25 for adults, £13 for ages 5-17 and those under 5 getting in for FREE!
Albert Road will be alive with the sound of music this weekend; if Sunday's charity event at the Wedgewood Rooms is the feel-good coda, Saturday's Dials Festival is the magnum opus. Dials 2018 takes place across five venues on Southsea's favourite thoroughfare, all conveniently within ambling distance of each other, with a hand-picked selection of acts performing. The organisers' sterling efforts have produced a line-up that is fair full to the brim with aural delights and, after some poring over the event's Clashfinderthis week, I think I've just about worked what my pick of the pops are (one of whom, Yassassin, have unfortunately had to withdraw under doctor's orders), so without further ado here are the bands I'm looking forward to seeing at Dials 2018: Temples of Youth (The Wine Vaults, 1330-1355) Jo Carson and Paul Gummaare Temples of Youth, purveyors of moody yet delicate electronica that combines gorgeous vocals, synthesizers and guitar. They've received airplay locally via BBC Introducing and nationally on both BBC Radio 1 (Huw Stephens) and BBC 6 Music (Steve Lamacq). Did I mention that they're excellent? No? Oh, well they are so you should make sure you're at the Vaults in plenty of time to see them.
Dani Uziel (Bar Acapulco, 1400-1430) Portsmouth singer-songwriter Danihas played several of the city's smaller venues over the past year, garnering plaudits and gaining fans along the way. Lauran Hibberd (The Loft, 1445-1520) If, like me, you like a mix of snarky lyrics and fuzzed-up guitar, you should direct your feet to The Loft (above The Kings pub) for Lauran Hibberd's set. Whilst her earlier material had a more delicate, folky feel the newer material rocks out a treat (will there be moshing during Call Shotgun? Hopefully).
Curxes(The Loft, 1700-1730) At first listenCurxes' sophomore album, Gilded Cage, appears to be a mellower affair than 2015's Verxes. Yet, as the album unfolds, it soon becomes apparent that a dark and melancholic heart beats beneath the gorgeous synths and crisp production. A soundtrack waiting for an as-yet-unmade Netflix dystopian sci-fi fantasy? Definitely.
Krush Puppies (The Loft, 1900-1930) London's Krush Puppies have a line of grungy fuzzed-up rock that's hard not to like, catch them at Dials ahead of their set at The Great Escape's FirstFifty gig in Hoxton next month. Of course, one of the things about festival is the clash and, yes, Krush Puppies clash with... Horseflies (Bar Acapulco, 1900-1930) Take a pinch of Deluxe Flamingoes, add a soupçon of Attack! Vipers! and what do you have? Horseflies. Lovely lovely Horseflies. Bokito(The Wine Vaults, 1930-2000) Once the clashes start there's no stopping them; so it is then that Bokito, hirsute suppliers of memorably quirky indie pop, are on at the same time as another band I'm hoping to see. Will Bokito have the edge as they appear to be named after a somewhat anti-social gorilla? Possibly. Vinyl Staircase (Edge of The Wedge, 1930-2000) Is there much to do in Dorking after dark? I don't know. I do, however, know that a vinyl staircase sounds very much like the kind of interior design that I'd splurge on should I ever win the lottery. Therefore the sound of Vinyl Staircase, which has a roll to its rock, appeals to me.
Fröst(Edge of The Wedge, 2030-2100) Skipping gently past the three-way clash that is the scheduling of Lice, Breath Paneland Thyla(a clash which might require a roshambo to make a decision on) we arrive at Fröst. This Brighton-based duo have received national airplay on BBC 6 Music, with their glacial electronica finding favour with Guy Garvey, Gideon Coe and Lauren Laverne. So, I really don't to sell that one, do I?
Estrons(The Wedgewood Rooms, 2100-2130) I must confess that I'm somewhat on the fence when it comes to Estronswhich, given my appalling centre of gravity, makes for wild teetering between love and hate feelings towards them and their brand of indie. Whilst singer Tali is, frankly, devastatingly good in the vocal department I do wonder if, without her presence, the band would just be another indie outfit. Harsh? Possibly, though I'm still keenly looking forward to hearing the album.
Art School Girlfriend (The Wine Vaults, 2130-2200) The Margate-based Art School Girlfriend (known to her chums as Polly) is preparing for her headline set at the Vaults tomorrow by a sold out show at St Pancras Old Churchtonight. This is a set I'm very much looking forward to, a dark and atmospheric way to end my Dials experience (well, until I get a second-wind and head back to the Wedge for Tigercub).
And there we have it, a selection of bands that I'm really looking forward to see (and, in some cases, see again) at Dials 2018. That isn't to say that the rest of the acts on the packed line-up aren't to my taste, far from; I'm also hoping to see Mystic Peach, Fake Empire, Los Bitchos, Grace Savage... err, maybe I need to rework my recommendations? Oh dear. Regardless of who you or I see all of the artists on the bill are deserving of our support, as is the festival itself, and if I could splice myself into several clones I'd see all of the bands on all of the stages. Perhaps one day it might be possible, for now though I'll have to be that guy scuttling between the stages, Clashfinder clutched to sausage-fingered hand, trying not to miss any of the wonderful music. I can't wait.
Good news everyone! Dials Festival has returned, bringing a day of music to Albert Road, filling the hole made when Southsea Fest headed into the sunset. The Dials organisers have been hard at work behind the scenes since they tweeted their 'save the date' message, conjuring up the first wave of acts that has now been announced.
That's hell of a line-up and, if that wasn't incentive enough to get aboard, Dials have partnered with Solent Mind, a registered charity that provides a wide range of high quality services, across the South, which support people with mental health problems. I can, from personal experience, vouch for the good work organisations like Minddo.
Super Early Bird tickets are on sale now for just £12 [sorry, all gone!], with regular advance tickets still a bargain at £16, available now from the festival website. For more information and updates check the Dials Twitter feed.
