Grassroots: Bad news from Sticky Mike

Some call it the toilet circuit, some call it grassroots, whatever the term the venues it applies to are those small, grungy places that provide one of the lower rungs on the music biz ladder. They are at the heart of their music community, providing a stage for local bands to gain valuable gigging experience and giving new acts the chance to build a following. Tucked away on Middle Street in Brighton, a short walk from a Jazz club that I've yet to find open, Sticky Mike's Frog Bar is very much one of those venues.

Unfortunately modern life is hard for grassroots venues such as Sticky Mike's. A combination of problems, such as redevelopment (both of the venues themselves or their surrounding area), local councils who don't (or won't) recognize the cultural significance of such places, or the plain old issue of money have meant that, over the past few years, the number of small venues across the UK has decreased.

To help counter the problems grassroots venues face, hopefully protecting and securing their the future, the Music Venue Trust was formed. The sterling effort of this charitable organisation has assisted many small venues across the country. The combined endeavours of the MVT, their partner organisations and their supporters, have this year successfully seen the introduction of agent of change protection into UK planning advice.

Sadly this protection has come to late for Sticky Mike's Frog Bar, and if you've not had the delight of venturing into the venue and down the stairs to the basement, your chances are finite. Today the venue announced that, due to "too many issues", it is to shut at the end of the year. After seven fun-packed years the doors will finally close as 2019 rolls in, with the venue saying goodbye with a series of parties and events before then.

Frustratingly the announcement of Sticky Mike's closure comes within days of the Talking Heads in Southampton shuttering, and let's not forgot that Portsmouth has lost both The Cellars (now redeveloped for housing) and the RMA Tavern in recent years. When a venue closes it's sad, infuriating, annoying and upsetting, it leaves a hole in both the local community and its economy. Add the knock-on effect for the music business in general and you're left scratching your head at why things have got into the state they have. Do we blame The Man? Do we blame the government? Or do we blame ourselves for not going to gigs more? 

Whatever the reason, and there is no one cause to point the finger of blame at, when a venue is gone and the posters in the window replaced by Estate Agent boards we at least have the memories of the good times spent there. Not great I know but, unless we see more changes to support our important yet tiny venues, that might be all we're left with.

Fingers crossed I'll get a chance to take in one last gig (or two) at Sticky Mike's before it closes, if not then I'll take this chance to wish hearty thank you to all involved in the venue for all the blood, sweat and tears invested in keeping it up and running for as long as possible. 

In closing, my abiding memory of Sticky Mike's is from The Great Escape several years ago, heading out of the sun and down into its low-ceilinged basement, to see the excellent Kassassin Street decimate any and all remaining traces of the previous night's hangover. Damn, that was a good gig (shame I took such a blurry photo, the pros and cons of being down the front I guess).

UPDATE: I've refreshed some of the text since first posted (as it was late when I posted and some bad grammar got the best of me). Also, if you've not yet seen it, it's worthwhile reading the Music Venue Trust's Facebook post on the subject (the paragraph pertaining to grants, subsidies and business rates is jaw-dropping to say the least).

So. Farewell then, Talking Heads...

Back in July the bad news broke that Southampton venue The Talking Heads was to close its doors. A combination of a rise in business rates and a lack of local support appear to have done for the venue, which only moved to new premises in the Polygon in 2016, but it would remain open to honour commitments through to the end of September.

The Talking Heads originally operated in Portswood, a short distance from The Brook, in a pub that used to be known as The Red Lion. In some respects its previous life as a hostelry made it an odd venue, welcoming punters with a cosy bar at the front when they stepped inside, confusing them when they looked for the stage in the narrow and low-ceilinged room that led beyond.

The repurposed nature of the venue meant that the stage area was at a lower level than the rest of the pub, situated in a space that you had to step down into, adding to the quirks of the place. The best place to watch a band was up close to the stage area, which meant squeezing in as best you could amongst a throng of folks doing the same (jostling for the sweet spot by the mixing desk). If you stayed nearer the bar all you'd likely see was the lights in your eyes and the backs of other punters' heads. However, being close to the stage also meant you were slightly removed from the poor acoustics of the low-ceiling room, acoustics which all too easily carried the sound of chatter.

Despite being a trek for a Portsmouth-based punter such as myself, with the threat of the last train home via Eastleigh that enjoying a gig too much could result in, I undertook the schlep across to the other city on the Solent on several occasions (one of which, the excellent Easy Star All Stars gig there, sticks in memory).

Unfortunately planning permission to redevelop the site into student accommodation went through in 2014, after failing the previous year, which led to the venue lifting and shifting to The Maple Leaf on the Polygon. A new beginning then, yes, but one which sadly hasn't lasted despite a sterling array of local, national and international acts performing there. 

The curtain falls on The Talking Heads this weekend, with the venue cheering itself goodbye with a weekend of music that showcases the best of what the venue was all about, an eclectic mix of styles and genres. It's not all bad news though, the Heads' sister venue, The 1865, remains very open for business (and plays host to both the James Taylor Quartet and the Lovely Eggs next month).

So. Farewell then Talking Heads, and thank you for the music.