Keith Flint 1969-2019
RIP
Mental health affects us all. If you're struggling or feeling low, please know that you are not alone. Talking helps, and there is always someone to listen.
Samaritans - help is available 24 hours a day, call 116 123
Showing posts with label Victorious Festival. Show all posts
Showing posts with label Victorious Festival. Show all posts
Monday, March 04, 2019
"I'm the trouble starter, punkin' instigator"
The sad news of Keith Flint's passing has rippled through the day, a sombre ending to a life that brought joy to so many, though the man we saw on stage and in videos was far removed from the real Keith offstage. Listening to 6Music today, with a noticeably shaken Matt Everitt imparting tales of this gentle soul, the swear box installed in his pub for when a log was needed to feed the flames, I was struck by the distance between the image he portrayed and the man himself.
Yes, Keith Flint
had a snarling, ferocious stage presence, one that I was lucky enough to see in action with The Prodigy a couple of times. The final time just last year at Victorious,
and the stage persona the man had was awe-inspiring; I honestly thought
that, if I didn't move to the music, he would personally hope off
stage, find me in the crowd, and make me dance. But that's all it was, a
presence, a mask; a quiet man, he became a super-power when the music fed him. He will always by the Firestarter, the man who got thousands dancing, and he will always be missed.
Keith Flint 1969-2019
RIP
Mental health affects us all. If you're struggling or feeling low, please know that you are not alone. Talking helps, and there is always someone to listen.
Samaritans - help is available 24 hours a day, call 116 123
Keith Flint 1969-2019
RIP
Mental health affects us all. If you're struggling or feeling low, please know that you are not alone. Talking helps, and there is always someone to listen.
Samaritans - help is available 24 hours a day, call 116 123
Tuesday, February 12, 2019
Victorious Festival 2019 / Second wave announced
Now in its eighth year Portsmouth's Victorious Festival has easily established itself as a family-friendly affair, offering a smörgåsbord of performers in an easily accessible environment. As is the case with such shindigs the line-up is a typically idiosyncratic affair, and the organisers have their net wide over the years to bring such diverse acts as Maximo Park, Olly Murs, Dizzee Rascal, Sophie Ellis-Bextor, The Flaming Lips, Basement Jaxx and Charlotte Church to the city.
An initial line-up of artists playing this year's event was announced back in December, an amuse-bouche of big names which included Ska legends The Specials, Swedish monochromatic fuzz warriors The Hives and dance-cello-pop crossover outfit Clean Bandit. Today's "second wave" announcement from the organisers fills out the line-up although, typically, leaves us still guessing at to the identity of the Sunday night headliner.
Northern Ireland's Two Door Cinema Club, currently teasing the release of album number four later this year, will co-headline the Friday night session with The Specials. Joining them for the opening night are Mancunian legends Doves and two bands who are each touring seminal albums from their back catalogue; The Zutons, who have reunited to celebrate their debut release, and indie journeymen Dodgy, whose Homegrown LP is 25 this year.
The bill of fare for the first full day of the festival blends indie nostalgia with a sprinkle of dance, rap and pop. Ocean Colour Scene, Badly Drawn Boy, The Twang and Tim Burgess all feature, as do two bands I've seen grace the stage at The Pyramids, Republica and Fun Lovin' Criminals. Scottish singer-songwriter Lewis Capaldi, rapper/documentarian Professor Green and Bloc Party (performing a Silent Alarm set) also play Saturday, with London's Rudimental topping the bill.
Some of the acts announced for Sunday's session appear to have been plucked straight from the Nineties & Noughties section of my vinyl vault; indie-rockers Ash, Mackem musos The Futureheads and mellow indie-balladeers Starsailor all have a place on the shelf (although Razorlight, who bizarrely appear higher on the bill than these acts, do not). Alt-rockers The Sherlocks, rock/blues duo The Pearl Harts, Reggae scion Ziggy Marley and Tom Grennan's husky vocals add to the entertainment, with DJ Yoda and Basement Jaxx both making appearances behind the decks.
This second wave of acts weighs a bit too heavily on the nostalgic side for me, heavyset as it is with bands I've seen live several times before (though I'm likely to be in the minority there), and also suffers from a noticeable dearth of female performers. That said, this is just the second wave and there's likely to be several more announcements before August Bank Holiday hoves into view; Victorious has always supported local talent so I'm expecting a large number of Portsmouth/Southampton/IOW acts to be added along with a few more bigger names. Tickets for the festival are on sale now, available online via its website or in person from the Meat & Barrel in Southsea.
Now, did I ever tell you about the time I saw Dodgy play the Heineken Festival on Southsea Common? No? Well...
An initial line-up of artists playing this year's event was announced back in December, an amuse-bouche of big names which included Ska legends The Specials, Swedish monochromatic fuzz warriors The Hives and dance-cello-pop crossover outfit Clean Bandit. Today's "second wave" announcement from the organisers fills out the line-up although, typically, leaves us still guessing at to the identity of the Sunday night headliner.
Northern Ireland's Two Door Cinema Club, currently teasing the release of album number four later this year, will co-headline the Friday night session with The Specials. Joining them for the opening night are Mancunian legends Doves and two bands who are each touring seminal albums from their back catalogue; The Zutons, who have reunited to celebrate their debut release, and indie journeymen Dodgy, whose Homegrown LP is 25 this year.
The bill of fare for the first full day of the festival blends indie nostalgia with a sprinkle of dance, rap and pop. Ocean Colour Scene, Badly Drawn Boy, The Twang and Tim Burgess all feature, as do two bands I've seen grace the stage at The Pyramids, Republica and Fun Lovin' Criminals. Scottish singer-songwriter Lewis Capaldi, rapper/documentarian Professor Green and Bloc Party (performing a Silent Alarm set) also play Saturday, with London's Rudimental topping the bill.
Some of the acts announced for Sunday's session appear to have been plucked straight from the Nineties & Noughties section of my vinyl vault; indie-rockers Ash, Mackem musos The Futureheads and mellow indie-balladeers Starsailor all have a place on the shelf (although Razorlight, who bizarrely appear higher on the bill than these acts, do not). Alt-rockers The Sherlocks, rock/blues duo The Pearl Harts, Reggae scion Ziggy Marley and Tom Grennan's husky vocals add to the entertainment, with DJ Yoda and Basement Jaxx both making appearances behind the decks.
This second wave of acts weighs a bit too heavily on the nostalgic side for me, heavyset as it is with bands I've seen live several times before (though I'm likely to be in the minority there), and also suffers from a noticeable dearth of female performers. That said, this is just the second wave and there's likely to be several more announcements before August Bank Holiday hoves into view; Victorious has always supported local talent so I'm expecting a large number of Portsmouth/Southampton/IOW acts to be added along with a few more bigger names. Tickets for the festival are on sale now, available online via its website or in person from the Meat & Barrel in Southsea.
Now, did I ever tell you about the time I saw Dodgy play the Heineken Festival on Southsea Common? No? Well...
Wednesday, December 19, 2018
Victorious Festival 2019 / First acts announced
In a very canny move, days before the Early Bird Tier 1 ticket pricing window closes, the organisers of Portsmouth's Victorious Festival have announced the first acts playing next year's Southsea Common
shindig.
Since its inception Victorious has grown both in size and reputation; as large outdoor music events go it still has a generally relaxed, family friendly vibe and offers both the musical array of a large in-country festival and the ease and convenience of a metropolitan affair (i.e. I can see some great bands and still be able to walk home afterwards). The introduction of the Friday evening session a few years back, whilst initially ruffling the feathers of some nearby residents, has become a welcome addition to the August Bank Holiday fun.
The initial tranche of acts announced may appear at a touch scattergun, an attempt to lure in the muso, the popster, the hipster and all folks in-between with shiny delights maybe, but remember this is just the tip of the pile of musical delights that will no doubt be announced in batches over the coming months. Bearing that in mind, here are inaugural acts:
Coventry's Ska legends The Specials will be co-headlining on the Friday evening, no doubt bringing a mix of classic songs and new material (their eighth long player, Encore, is scheduled for release next year).
Singer-songwriter James Bay (him with the hat) and Chingford indie rockers The Rifles join Swedish rockers The Hives on Saturday's bill. Quite what Howlin' Pelle and chums will make of Pompey is anyone's guess but, I confess, this is the one act so far announced to really pique my interest.
The Vaccines bring their flavour of indie rock to Sunday line-up, with dance-classical crossover outfit Clean Bandit also announced for for the final day of the festival. Grace Chatto et al might not be my usual listening but, I admit, they have been responsible for some very catchy tunes (is waving a Marks & Spencer bag-for-life a thing at Clean Bandit gigs? If not it really should be).
Something there for nearly everyone, which is nice. Tickets are available now via the Victorious website and, as mentioned previously, the first tier of the Early Bird pricing ends soon.
Since its inception Victorious has grown both in size and reputation; as large outdoor music events go it still has a generally relaxed, family friendly vibe and offers both the musical array of a large in-country festival and the ease and convenience of a metropolitan affair (i.e. I can see some great bands and still be able to walk home afterwards). The introduction of the Friday evening session a few years back, whilst initially ruffling the feathers of some nearby residents, has become a welcome addition to the August Bank Holiday fun.
The initial tranche of acts announced may appear at a touch scattergun, an attempt to lure in the muso, the popster, the hipster and all folks in-between with shiny delights maybe, but remember this is just the tip of the pile of musical delights that will no doubt be announced in batches over the coming months. Bearing that in mind, here are inaugural acts:
Coventry's Ska legends The Specials will be co-headlining on the Friday evening, no doubt bringing a mix of classic songs and new material (their eighth long player, Encore, is scheduled for release next year).
Singer-songwriter James Bay (him with the hat) and Chingford indie rockers The Rifles join Swedish rockers The Hives on Saturday's bill. Quite what Howlin' Pelle and chums will make of Pompey is anyone's guess but, I confess, this is the one act so far announced to really pique my interest.
The Vaccines bring their flavour of indie rock to Sunday line-up, with dance-classical crossover outfit Clean Bandit also announced for for the final day of the festival. Grace Chatto et al might not be my usual listening but, I admit, they have been responsible for some very catchy tunes (is waving a Marks & Spencer bag-for-life a thing at Clean Bandit gigs? If not it really should be).
Something there for nearly everyone, which is nice. Tickets are available now via the Victorious website and, as mentioned previously, the first tier of the Early Bird pricing ends soon.
Friday, August 24, 2018
Victorious Festival 2018 - Sunday Preview (part two)
5.4.3.2.1 and we're back in the room or, rather, the field as that's more apt for the festival experience. Following on from part one of my recommended acts to see at Victorious, which served up some afternoon delights, this second helping of covers the evening, from seven o'clock through to the last chord. Are we ready? Eyes down for a full house...
Embrace (Castle Stage, 1900-1945)
Arguably the one band on the bill most likely to produce an Elbow-style "get your lighters out and let's have a sing-song" festival moment. Not everyone's bag of chips I'll grant you, but this still holds up...
Hipshaker (Soul Circus Tent, 1915-2020)
Simon & Dave, aka the famous Hipshaker DJs, bring experience, knowledge and some excellent vinyl to the party. Expect music to move your feet to and, if you like what you hear, be sure to check out the Hipshaker radio show, every Friday night on ExpressFM (or catch up on MixCloud).
Temples of Youth (Beats & Swing Tent, 1930-2015)
This Winchester duo produce moody and melodic electronica, consistently beautiful music. Trust me, your ears will love you forever for listening.
Friendly Fires (Common Stage, 1950-2040)
A pleasant addition to the bill this, Friendly Fires have been out of the limelight for a few years, so it's good to see them back with a new collection of tunes. Might there be Hawaiian shirts on display? Here's hoping.
Andrew Foster (Strong Island Acoustic Stage, 2010-2100)
This highly talented singer-songwriter crafts exquisite indie-folk-pop music and has excellent taste for choosing the right cover version...
Example & DJ Wire (Castle Stage, 2015-2100)
I'm sure I saw an interview with Example where, as everything in his life is going so well, he felt he couldn't write the same kind of music as before. First world problems...
Chris Helme (Acoustic Stage, 2045-2130)
Late of The Seahouses (not not be confused with The Shirehorses), Chris Helme has been refining his craft as a solo act for several years now, releasing indie-folk that has been compared to the late, great Gram Parsons. Nice.
The Prodigy (Common Stage, 2120-2250)
I'm not saying that I find the Keith Flint a scary man, but the sheer power of his stare is enough to make you dance (and that's before the beats, or his spiky hair, work their magic). Reach for the lasers..
The Correspondents (Beats & Swing Tent, 2130-2230)
He is Mr Bruce and he is DJ Chucks, together they are The Correspondents. Swing. Your. Pants.
Pete Scathe (Soul Circus Tent, 2140-2255)
aka The Legendary Pete Scathe, Portsmouth legend and host/DJ of the Connection indie night since I don't know when. Ah, Scandals, now there was a place... *sigh* expect a blend of new and retro, Indie and Electro..
Years & Years (Castle Stage, 2145-2245)
Frontman Olly was in Gulliver's Travels, a definite low-water mark in Jack Black's movie career, but such knowledge should not be used as an excuse not to see Years & Years. Expect the crowd to go royally nuts when this is played...
Lucy Spraggan (Acoustic Stage, 2200-2245)
An X Factor alum who, since moving on from her Cowell experience, has released several albums of delightfully crafted folk-pop.
Flowvers (Seaside Stage, 2215-2300)
Pompey indie outfit Flowvers want to be the best thing you've ever heard... are they?
Put a fork in me, I'm done. Those are my selections for what to see on Sunday night at Victorious (although, if I'm honest, I'll probably be so transfixed by Keith Flint's hair that I'll miss out on the remaining delights on offer). When the last chord fades, with myself and several thousand happy punters making our way out into the night, no doubt we'll all be thinking the same thing; that was fun, shall we do it again next year?
Embrace (Castle Stage, 1900-1945)
Arguably the one band on the bill most likely to produce an Elbow-style "get your lighters out and let's have a sing-song" festival moment. Not everyone's bag of chips I'll grant you, but this still holds up...
Hipshaker (Soul Circus Tent, 1915-2020)
Simon & Dave, aka the famous Hipshaker DJs, bring experience, knowledge and some excellent vinyl to the party. Expect music to move your feet to and, if you like what you hear, be sure to check out the Hipshaker radio show, every Friday night on ExpressFM (or catch up on MixCloud).
Temples of Youth (Beats & Swing Tent, 1930-2015)
This Winchester duo produce moody and melodic electronica, consistently beautiful music. Trust me, your ears will love you forever for listening.
Friendly Fires (Common Stage, 1950-2040)
A pleasant addition to the bill this, Friendly Fires have been out of the limelight for a few years, so it's good to see them back with a new collection of tunes. Might there be Hawaiian shirts on display? Here's hoping.
Andrew Foster (Strong Island Acoustic Stage, 2010-2100)
This highly talented singer-songwriter crafts exquisite indie-folk-pop music and has excellent taste for choosing the right cover version...
Example & DJ Wire (Castle Stage, 2015-2100)
I'm sure I saw an interview with Example where, as everything in his life is going so well, he felt he couldn't write the same kind of music as before. First world problems...
Chris Helme (Acoustic Stage, 2045-2130)
Late of The Seahouses (not not be confused with The Shirehorses), Chris Helme has been refining his craft as a solo act for several years now, releasing indie-folk that has been compared to the late, great Gram Parsons. Nice.
The Prodigy (Common Stage, 2120-2250)
I'm not saying that I find the Keith Flint a scary man, but the sheer power of his stare is enough to make you dance (and that's before the beats, or his spiky hair, work their magic). Reach for the lasers..
The Correspondents (Beats & Swing Tent, 2130-2230)
He is Mr Bruce and he is DJ Chucks, together they are The Correspondents. Swing. Your. Pants.
Pete Scathe (Soul Circus Tent, 2140-2255)
aka The Legendary Pete Scathe, Portsmouth legend and host/DJ of the Connection indie night since I don't know when. Ah, Scandals, now there was a place... *sigh* expect a blend of new and retro, Indie and Electro..
Years & Years (Castle Stage, 2145-2245)
Frontman Olly was in Gulliver's Travels, a definite low-water mark in Jack Black's movie career, but such knowledge should not be used as an excuse not to see Years & Years. Expect the crowd to go royally nuts when this is played...
Lucy Spraggan (Acoustic Stage, 2200-2245)
An X Factor alum who, since moving on from her Cowell experience, has released several albums of delightfully crafted folk-pop.
Flowvers (Seaside Stage, 2215-2300)
Pompey indie outfit Flowvers want to be the best thing you've ever heard... are they?
Put a fork in me, I'm done. Those are my selections for what to see on Sunday night at Victorious (although, if I'm honest, I'll probably be so transfixed by Keith Flint's hair that I'll miss out on the remaining delights on offer). When the last chord fades, with myself and several thousand happy punters making our way out into the night, no doubt we'll all be thinking the same thing; that was fun, shall we do it again next year?
Thursday, August 23, 2018
Victorious Festival 2018 - Sunday Preview (part one)
In keeping with my 'festival as a feast' metaphor, if Friday was the appetiser and Saturday the main course, Victorious' Sunday line-up is a large, heaped dessert trolley accompanied by an epic cheeseboard, full as it is with succulent musical treats and savoury moments. In fact, so large in number are the options available I've had to split my recommendations list in two. First up, covering the best things to see from gates open until seven o'clock, is the sweet selection..
Me & The Moon (Common Stage, 1215-1245) (Seaside Stage, 2130-2200)
If you're feeling a wee bit jaded after yesterday's festival fun, suffering after one too many expensive pints of lager, the mellow indie-stylings of this Guildford duo are the very thing to start your Victorious Sunday (alternatively, if you're seeing them later in the day, they'll help calm your nerves after Keith Flint has scared you)
Fugitive Orchestra (Showcase Stage, 1230-1300)
Fugitive Orchestra, the pseudonym of James Tattington, is not so much a one-man band as a beat-boxing, guitar-looping philharmonic.
Gomez (Common Stage, 1315-1400)
In the 20 years since Gomez won the Mercury Prize (yes, it was really that long ago) the Southport posse have released another 6 studio albums, toured extensively and, in the process, added a large American contingent to their fan-base via the US college circuit. The band are celebrating the 20th birthday of Bring It On the band with an anniversary tour, on which their Victorious appearance is a stop.
Soul 45 (Beats & Swing Tent, 1415-1515) (Soul Circus Tent, 2020-2140)
Southampton's premier vinyl only suppliers of funk, soul and dance music. Prepare to swing your pants..
Jerry Williams (Castle Stage, 1500-1530)
A few years ago, at The Great Escape, I left the dark depths of Sticky Mike's with Kassassin Street ringing joyfully in my ears, and stumbled across a talented singer-songwriter playing in a yard across the way. It was Jerry Williams and, liking what I heard, I ensured I caught her afternoon slot in a tent on the Old Steine later that day (where, to an audience that included her Mum, she played a jaw-dropping cover of Bump'n'Grind). Since then Jerry has plugged away, touring further and wider, refining her craft and growing her legion of fans with every gig. Fingers crossed she makes it back from her mini tour of Europe (!) in time...
Marika Hackman (Common Stage, 1520-1550)
2017's I'm Not Your Man was one of my favourite long players of last year, pitching exquisite vocals with wry lyrics and catchy melodies, so this is a set I'm very much looking forward to (although, as much as I hope to hear her Nirvana cover, I think I'll be disappointed).
Sink or Soar (Real Ale Stage, 1530-1600)
Rising like from the ashes of the excellent (and much missed) B of The Bang, Sink or Soar feature Wit's unmistakeable vocals and playful lyrics.
Dani Uziel (Acoustic Stage, 1550-1620)
Is it just me or, of late, is Portsmouth excelling itself at producing talented singer-songwriters?
The Orielles (Castle Stage, 1600-1630)
Over the years the minster town of Halifax has given much to the world; John Noakes, Big Daddy, Sarah Blackwood, Quality Street, Ed Sheeran (yes, I know) and even one of the Thompson Twins. All from Halifax. The latest delight to come from that part of West Yorkshire are The Orielles. H'mm, there must be something in the water up North...
The Bluetones (Common Stage, 1620-1650)
Purveyors of melodic indie tunes, Mark Morriss and chums have been resident on the alternative music landscape for a long time. If memory serves they're no longer recording/releasing new material, so expect an uplifting set of old favourites.
Gengahr (Castle Stage, 1700-1730)
Apparently take their name from a poison Pokémon, really, this London four-piece produce a satisfying blend of pop and psychedelia. I like both of those, and I like Gengahr.
The Amazons (Common Stage, 1720-1805)
Ignoring the leather and long hair clichés for a second, these Reading rockers have been feted by the likes of the NME and BBC Radio 1. To be honest their a bit of a wildcard entry on mny list...
Tuba Libres (Beats & Swing Tent, 1730-1815)
Trust me, you never realised it but there is a tuba-shaped hole in your life. A talented bunch of chaps from Southampton who will most definitely put a smile on your face.
Reverend & The Makers (Castle Stage, 1800-1830)
The sound of Sheffield.
Sleaford Mods (Common Stage, 1835-1920)
If you have to ask then maybe they're not for you...
......and that's not including Skaraman, TV's Dermot O'Leary at the decks, a Bowie tribute, a 90s tribute act, Dub Pistols, festival stalwarts the Southsea Alternative Choir, the various delights offered by the World Music Village and Comedy Tent and, of course, Paddington making an appearance in the Kids Arena.
That's it for part one of my Victorious Sunday preview, part two should (!) be appearing tomorrow so be sure to pop back. Now, go make a nice cup of tea and have a sit down, you need to be ready for the weekend.
Me & The Moon (Common Stage, 1215-1245) (Seaside Stage, 2130-2200)
If you're feeling a wee bit jaded after yesterday's festival fun, suffering after one too many expensive pints of lager, the mellow indie-stylings of this Guildford duo are the very thing to start your Victorious Sunday (alternatively, if you're seeing them later in the day, they'll help calm your nerves after Keith Flint has scared you)
Fugitive Orchestra (Showcase Stage, 1230-1300)
Fugitive Orchestra, the pseudonym of James Tattington, is not so much a one-man band as a beat-boxing, guitar-looping philharmonic.
Gomez (Common Stage, 1315-1400)
In the 20 years since Gomez won the Mercury Prize (yes, it was really that long ago) the Southport posse have released another 6 studio albums, toured extensively and, in the process, added a large American contingent to their fan-base via the US college circuit. The band are celebrating the 20th birthday of Bring It On the band with an anniversary tour, on which their Victorious appearance is a stop.
Soul 45 (Beats & Swing Tent, 1415-1515) (Soul Circus Tent, 2020-2140)
Southampton's premier vinyl only suppliers of funk, soul and dance music. Prepare to swing your pants..
Jerry Williams (Castle Stage, 1500-1530)
A few years ago, at The Great Escape, I left the dark depths of Sticky Mike's with Kassassin Street ringing joyfully in my ears, and stumbled across a talented singer-songwriter playing in a yard across the way. It was Jerry Williams and, liking what I heard, I ensured I caught her afternoon slot in a tent on the Old Steine later that day (where, to an audience that included her Mum, she played a jaw-dropping cover of Bump'n'Grind). Since then Jerry has plugged away, touring further and wider, refining her craft and growing her legion of fans with every gig. Fingers crossed she makes it back from her mini tour of Europe (!) in time...
Marika Hackman (Common Stage, 1520-1550)
2017's I'm Not Your Man was one of my favourite long players of last year, pitching exquisite vocals with wry lyrics and catchy melodies, so this is a set I'm very much looking forward to (although, as much as I hope to hear her Nirvana cover, I think I'll be disappointed).
Sink or Soar (Real Ale Stage, 1530-1600)
Rising like from the ashes of the excellent (and much missed) B of The Bang, Sink or Soar feature Wit's unmistakeable vocals and playful lyrics.
Dani Uziel (Acoustic Stage, 1550-1620)
Is it just me or, of late, is Portsmouth excelling itself at producing talented singer-songwriters?
The Orielles (Castle Stage, 1600-1630)
Over the years the minster town of Halifax has given much to the world; John Noakes, Big Daddy, Sarah Blackwood, Quality Street, Ed Sheeran (yes, I know) and even one of the Thompson Twins. All from Halifax. The latest delight to come from that part of West Yorkshire are The Orielles. H'mm, there must be something in the water up North...
The Bluetones (Common Stage, 1620-1650)
Purveyors of melodic indie tunes, Mark Morriss and chums have been resident on the alternative music landscape for a long time. If memory serves they're no longer recording/releasing new material, so expect an uplifting set of old favourites.
Gengahr (Castle Stage, 1700-1730)
Apparently take their name from a poison Pokémon, really, this London four-piece produce a satisfying blend of pop and psychedelia. I like both of those, and I like Gengahr.
The Amazons (Common Stage, 1720-1805)
Ignoring the leather and long hair clichés for a second, these Reading rockers have been feted by the likes of the NME and BBC Radio 1. To be honest their a bit of a wildcard entry on mny list...
Tuba Libres (Beats & Swing Tent, 1730-1815)
Trust me, you never realised it but there is a tuba-shaped hole in your life. A talented bunch of chaps from Southampton who will most definitely put a smile on your face.
Reverend & The Makers (Castle Stage, 1800-1830)
The sound of Sheffield.
Sleaford Mods (Common Stage, 1835-1920)
If you have to ask then maybe they're not for you...
......and that's not including Skaraman, TV's Dermot O'Leary at the decks, a Bowie tribute, a 90s tribute act, Dub Pistols, festival stalwarts the Southsea Alternative Choir, the various delights offered by the World Music Village and Comedy Tent and, of course, Paddington making an appearance in the Kids Arena.
That's it for part one of my Victorious Sunday preview, part two should (!) be appearing tomorrow so be sure to pop back. Now, go make a nice cup of tea and have a sit down, you need to be ready for the weekend.
Wednesday, August 22, 2018
Victorious Festival 2018 - Saturday Preview
If Friday night at Victorious serves up an amuse-bouche for the festival experience, Saturday delivers more filling fare with the opening up of the rest of the stages, providing us punters with a wider selection of auditory morsels to be sampled.
There's something for just about everyone here, even to a somewhat jaded and cynical gig monkey such as myself. Therefore, with a larger menu to pick from and with distances between stages taken into consideration, I've tried to be slightly more selective with my recommendations. Are we sitting comfortably? Then I'll begin...
Happy Mondays (Common Stage, 1315-1400)
The boisterous bunch of Madchester survivors have an early afternoon slot on the big stage and, whilst this might reduce the possibility of a shambolic performance, it does rather increase the chances of random incidents of Dad dancing amongst the crowd (and I have a sneaking suspicion that there will be at least one person present sporting some sort of melon-related paraphernalia).
Pins (Castle Stage, 1450-1520)
Pins are rockers. They rock out. They hail from Manchester, they've featured on the soundtrack of Lucifer and some scenes of their recent their visual EP (below) were filmed in a public convenience. And yes, they're really rather good.
Sleeper (Common Stage, 1620-1650)
Louise Wener and chums have dusted off their Britpop credentials, acquired a new bass player, and hit the road. Having quite liked Sleeper back in the day, yet having heard indifferent reports of their live prowess from some of my chums who've seen them, I'm somewhat intrigued to see what they bring to the stage.
Coasts (Castle Stage, 1650-1720)
If you've not seen Bristol's Coasts play live before then, sadly, their Victorious appearance will be one of your last chances to do so; after several years, a couple of albums and a soundtrack appearance on Made In Chelsea, this five-piece are calling it quits. If you are lucky enough to catch them on the Castle Stage, and like what you hear, tickets for their Farewell Tour in October are on sale now.
Neneh Cherry [DJ set] (World Music Stage, 1700-1800)
It's Neneh Cherry. Spinning tunes. Honestly, I shouldn't really need to sell it to you.
Gaz Coombes (Common Stage, 1720-1805)
The former Supergrass frontman has released consistently interesting material since going solo; Matador was an excellent long player and this year's follow up, World's Strongest Man, has received critical praise. Plus he sports a natty pair of sideburns, and that's a thumbs up in my book.
Trampolene (Seaside Stage, 1800-1830)
Once upon a Southsea Fest I found myself, standing in a packed Fat Fox, watching a three-piece blow minds and unhinge the projector screen. They were Trampolene. And they still are, mostly.
Shoot The Duke (Beats & Swing Tent, 1815-1900)
Portsmouth's very own alt-skiffle band, Shoot The Duke have been entertaining punters at various venues and events across the city for a few years now; expect an infectious blend of roots, rhythm and blues. Which is nice.
Chaos DJs (Soul Circus, 1915-2020)
Chaos was/is a Pompey institution, a regular indie-alternative night that took over one of the bars (and occasionally both) on South Parade Pier, providing their target demographic with loud music (see below), a bouncy dance floor and (for those on a budget) access to some suspect looking (but reasonably priced) Sangria. Ahh, memories...
Barry Hyde (Acoustic Stage, 1945-2015)
Formerly of the sadly defunct and much missed Futureheads, since going it alone Barry Hyde has released an EP of Ivor Cutler covers and an LP that features a suite of songs reflecting his own experiences with mental illness. Whilst some might be hoping for an airing of the 'heads' Kate Bush cover I'd rather hear some of his solo material (OK, and maybe his Prince cover too).
Everything Everything (Castle Stage, 2020-2110)
You know, that band that aren't Alt-J or Django Django. Yes, I have been known to get the three of them mixed up too. No, it's nothing to be ashamed of. Honest.
China Bears (Real Ale Stage, 2045-2115)
Direct from Somerset, via Guildford, indie rockers China Bears have won praise from Steve Lamacq and Frank Turner, information which, depending on your viewpoint, has already informed your decision on whether you'll like them or not. It's a festival, there's beer adjacent, go check them out.
Paul Weller (Common Stage, 2120-2250)
The Modfather himself. If you're expecting him to dredge some Jam classics out of his considerable back catalogue then you may be disappointed. Or not, he's mercurial like that.
And if that wasn't enough to keep you entertained then Simon & Dave of Hipshaker will be at the Common Stage all day, spinning some righteous tunes between the acts playing there. Well my lovelies, that's my selection for Saturday, tune in next time for my Sunday recommendations.
There's something for just about everyone here, even to a somewhat jaded and cynical gig monkey such as myself. Therefore, with a larger menu to pick from and with distances between stages taken into consideration, I've tried to be slightly more selective with my recommendations. Are we sitting comfortably? Then I'll begin...
Happy Mondays (Common Stage, 1315-1400)
The boisterous bunch of Madchester survivors have an early afternoon slot on the big stage and, whilst this might reduce the possibility of a shambolic performance, it does rather increase the chances of random incidents of Dad dancing amongst the crowd (and I have a sneaking suspicion that there will be at least one person present sporting some sort of melon-related paraphernalia).
Pins (Castle Stage, 1450-1520)
Pins are rockers. They rock out. They hail from Manchester, they've featured on the soundtrack of Lucifer and some scenes of their recent their visual EP (below) were filmed in a public convenience. And yes, they're really rather good.
Sleeper (Common Stage, 1620-1650)
Louise Wener and chums have dusted off their Britpop credentials, acquired a new bass player, and hit the road. Having quite liked Sleeper back in the day, yet having heard indifferent reports of their live prowess from some of my chums who've seen them, I'm somewhat intrigued to see what they bring to the stage.
Coasts (Castle Stage, 1650-1720)
If you've not seen Bristol's Coasts play live before then, sadly, their Victorious appearance will be one of your last chances to do so; after several years, a couple of albums and a soundtrack appearance on Made In Chelsea, this five-piece are calling it quits. If you are lucky enough to catch them on the Castle Stage, and like what you hear, tickets for their Farewell Tour in October are on sale now.
Neneh Cherry [DJ set] (World Music Stage, 1700-1800)
It's Neneh Cherry. Spinning tunes. Honestly, I shouldn't really need to sell it to you.
Gaz Coombes (Common Stage, 1720-1805)
The former Supergrass frontman has released consistently interesting material since going solo; Matador was an excellent long player and this year's follow up, World's Strongest Man, has received critical praise. Plus he sports a natty pair of sideburns, and that's a thumbs up in my book.
Trampolene (Seaside Stage, 1800-1830)
Once upon a Southsea Fest I found myself, standing in a packed Fat Fox, watching a three-piece blow minds and unhinge the projector screen. They were Trampolene. And they still are, mostly.
Shoot The Duke (Beats & Swing Tent, 1815-1900)
Portsmouth's very own alt-skiffle band, Shoot The Duke have been entertaining punters at various venues and events across the city for a few years now; expect an infectious blend of roots, rhythm and blues. Which is nice.
Chaos DJs (Soul Circus, 1915-2020)
Chaos was/is a Pompey institution, a regular indie-alternative night that took over one of the bars (and occasionally both) on South Parade Pier, providing their target demographic with loud music (see below), a bouncy dance floor and (for those on a budget) access to some suspect looking (but reasonably priced) Sangria. Ahh, memories...
Barry Hyde (Acoustic Stage, 1945-2015)
Formerly of the sadly defunct and much missed Futureheads, since going it alone Barry Hyde has released an EP of Ivor Cutler covers and an LP that features a suite of songs reflecting his own experiences with mental illness. Whilst some might be hoping for an airing of the 'heads' Kate Bush cover I'd rather hear some of his solo material (OK, and maybe his Prince cover too).
Everything Everything (Castle Stage, 2020-2110)
You know, that band that aren't Alt-J or Django Django. Yes, I have been known to get the three of them mixed up too. No, it's nothing to be ashamed of. Honest.
China Bears (Real Ale Stage, 2045-2115)
Direct from Somerset, via Guildford, indie rockers China Bears have won praise from Steve Lamacq and Frank Turner, information which, depending on your viewpoint, has already informed your decision on whether you'll like them or not. It's a festival, there's beer adjacent, go check them out.
Paul Weller (Common Stage, 2120-2250)
The Modfather himself. If you're expecting him to dredge some Jam classics out of his considerable back catalogue then you may be disappointed. Or not, he's mercurial like that.
And if that wasn't enough to keep you entertained then Simon & Dave of Hipshaker will be at the Common Stage all day, spinning some righteous tunes between the acts playing there. Well my lovelies, that's my selection for Saturday, tune in next time for my Sunday recommendations.
Tuesday, August 21, 2018
Victorious Festival 2018 - Friday Preview
The August Bank Holiday weekend is looming large on the horizon, strange metal structures are growing on Southsea Common and (no doubt) angry people are writing to the local newspaper to complain about access and/or noise. Yes, it's Victorious time again and, as the set-times have been released, here are my personal picks of acts and bands to look out for; first up, Friday night...
The addition of a Friday session, extending the fun over three nights and two days, was a welcome expansion to Victorious last year (even if the line-up for the inaugural Friday evening didn't really tickle my fancy). This year there's a bit more selection, though only limited parts of the site will be open for business (similar to the Thursday night at Bestival) and.
After the nutty boys of Madness headlined last year it appears that the organisers have again opted mostly for crowd-friendly sing-a-long action, booking Shed Seven, Kaiser Chiefs and a tribute act performing The Beatles' Abbey Road album in full. It struck me as bizarre then (especially giving one of their numbers' shambolic solo set at last year's festival) to read that The Libertines are headinling. I know, right? What, of the offerings makeing up the bill on the two open stages, would I go see? Well..
Marley Blandford (Common Stage, 1300-1400)
Unfortunately for Marley he's drawn the opening slot on The Big Stage but he's a local lad so I'm sure he'll have an audience ready and waiting.
The Lightning Seeds (Common Stage, 1720-1800)
The glorious jingly-jangly feel-good pop of Ian Broudie, pretty much guaranteed to leave you with a smile on your face and a foot aching from tapping. I don't know whether they'll play this but, as it's one of my Seeds favourites (the Susanna Hoffs cover it rather good too).
Dutch Criminal Record (Beats & Swing Tent, 1900-1945)
Purveyors of bouncy indie-pop, Chichester's Dutch Criminal Record have the early evening slot in the Beats & Swing Tent.
Minque (Beats & Swing Tent, 2045-2130)
Lush electronica from Southsea, again in the Beats & Swing Tent, Mique's set should finish just in time for the short wander back to the Common Stage to wait for Pete Doherty to show up.
The Libertines (Common Stage, 2140-2255)
And finally, yes, The Libertines. Now I know that you may have, quite rightly, assumed from my musings earlier in this post I'm not the world's biggest fan of Mr Doherty and chums (possibly due to the NME having an ongoing love-fest with them most weeks). Believe me, I've tried and, yes, have been told by several people considerably younger than myself that Mr Doherty is a genius. Whether he is or isn't is moot but, on their day, The Libs can turn out a punchy indie anthem equal to or better than some of their fellow alt acts below them on the bill. Like this one..
...after which you could just toddle along to the Meat & Barrel, have a cheeky pint, and wait for the rest of their set to be over.
The addition of a Friday session, extending the fun over three nights and two days, was a welcome expansion to Victorious last year (even if the line-up for the inaugural Friday evening didn't really tickle my fancy). This year there's a bit more selection, though only limited parts of the site will be open for business (similar to the Thursday night at Bestival) and.
After the nutty boys of Madness headlined last year it appears that the organisers have again opted mostly for crowd-friendly sing-a-long action, booking Shed Seven, Kaiser Chiefs and a tribute act performing The Beatles' Abbey Road album in full. It struck me as bizarre then (especially giving one of their numbers' shambolic solo set at last year's festival) to read that The Libertines are headinling. I know, right? What, of the offerings makeing up the bill on the two open stages, would I go see? Well..
Marley Blandford (Common Stage, 1300-1400)
Unfortunately for Marley he's drawn the opening slot on The Big Stage but he's a local lad so I'm sure he'll have an audience ready and waiting.
The Lightning Seeds (Common Stage, 1720-1800)
The glorious jingly-jangly feel-good pop of Ian Broudie, pretty much guaranteed to leave you with a smile on your face and a foot aching from tapping. I don't know whether they'll play this but, as it's one of my Seeds favourites (the Susanna Hoffs cover it rather good too).
Dutch Criminal Record (Beats & Swing Tent, 1900-1945)
Purveyors of bouncy indie-pop, Chichester's Dutch Criminal Record have the early evening slot in the Beats & Swing Tent.
Minque (Beats & Swing Tent, 2045-2130)
Lush electronica from Southsea, again in the Beats & Swing Tent, Mique's set should finish just in time for the short wander back to the Common Stage to wait for Pete Doherty to show up.
The Libertines (Common Stage, 2140-2255)
And finally, yes, The Libertines. Now I know that you may have, quite rightly, assumed from my musings earlier in this post I'm not the world's biggest fan of Mr Doherty and chums (possibly due to the NME having an ongoing love-fest with them most weeks). Believe me, I've tried and, yes, have been told by several people considerably younger than myself that Mr Doherty is a genius. Whether he is or isn't is moot but, on their day, The Libs can turn out a punchy indie anthem equal to or better than some of their fellow alt acts below them on the bill. Like this one..
...after which you could just toddle along to the Meat & Barrel, have a cheeky pint, and wait for the rest of their set to be over.
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