JARV IS... - 'Must I Evolve?'

"Dragging my knuckles, listening to Frankie Knuckles"

My daily commute from home to work is made bearable only thanks to a pocket-sized DAB radio and the musical delights played daily by the wonderful Lauren Laverne; her breakfast-time BBC 6Music show soundtracks the walk-train-walk-bus-walk ordeal that takes me from door to desk. It's a heady mix of tunes and informed chat that, most days, feature something new and shiny getting a spin, an aural delight that perhaps might pop into my brain and take an easy residence there.

One such tune, that has easily made a home in the dusty pathways of my noggin, is living legend Jarvis Cocker's latest release, Must I Evolve? This is the first release from his new ensemble JARV IS, a collection of musicians plucked from various bands and previous collaborative endeavours, and an absolute beast of a song it is too. 

The song opens gently, with Jarvis' queries replied to by a Greek chorus, leading into a gorgeous near spoken word section, before handclaps give way to a thundering rollercoaster of groovy organ and blistering guitars. If Aphrodite's Child ever supplied the soundtrack for an existential Western this is what it would sound like, all that's missing is a Mariachi trumpet solo at the end.

It's only at the end, when the dust settles around you and the other commuters on the bus are giving you some very odd looks, when you realise that was nearly seven minutes of absolute exhilaration. Gorgeous.

Being primarily a live concern it should come as no surprise to learn that eager punters can only obtain a hard copy of the single at one of JARV IS' gigs (and having checked their forthcoming live dates I rather think I'll be out of luck in getting my grubby mitts on one). Are musicians idiosyncratic? Yes yes yes yes...  

 UPDATE: 24/05 - There's a remix too, which is nice...

Acoustic Sessions @ The Dolphin / JunkStar-Baby

Portsmouth still has, despite the best efforts of the Luftwaffe and keen property developers, a large number of public houses for a city its size, offering refreshing alcoholic beverages and, in some cases live music, to a discerning clientèle. The oldest of Pompey's many hostelries is located in the city's old quarter, just a short distance from the historic Square Tower, opposite the Cathedral, and has been serving ales to legions of eager punters since 1716 (or thereabouts). 

Whilst The Dolphin certainly boasts longevity, and successfully managed to survive the Blitz better than some of its neighbours, there have been periods of late when its future has been in question; changes of management alienated some of its regulars, as did refurbishment and a move toward a more food orientated business plan, all of which led inexorably to an abrupt closure. Thankfully, after a lick of paint and another change of management, the pub reopened and appears to be going from strength to strength.

Long known for hosting live comedy The Dolphin has been hosting a limited season of live music each Friday evenings, with these Acoustic Sessions set to run through to mid-June. Following sets from Si Hitchenson and Andy Muscat the next act to perform are, according to the blurb on their Facebook page, "born out of bands long gone, both forged in an age when Play-Doh smelled good enough to eat". They are, of course, JunkStar-Baby.



The awesome twosome of Steve Arnott (no, not that one) and Maria Ede-Weaving are no strangers to the Portsmouth music scene, with both separately performing in various local bands over the years (including The Chosen, whose debut single can still be procured on ebay) before joining forces to become the most mellifluous JunkStar-Baby. 

Steve & Maria will be performing original songs, a choice cover or three and, if gently persuaded, some of The Chosen's back catalogue, this coming Friday, 24th May. The duo are playing two sets, the first starting at 2015 and, after a short break, the second starting at 2130. Entry is free and, if you are so inclined, the pub is also hosting a beer festival this weekend. Well, it is a Bank Holiday after all.

Emptifish - 'Haunted'

"That girl has got, got me, got me cursed" 

In 2015, after some nearly 30 years of radio silence, Portsmouth Garage Rockers Emptifish re-emerged from the musical mists of time to finally release their debut long player. Having plundered the vaults 6.57 collected both long lost recordings and the band's two singles, on vinyl, in a deliciously designed retro sleeve. The positive reaction that their vinyl retrospective received naturally led to more live dates, including sets at Victorious Festival, which in turn energised the foursome to return to the studio, subsequently releasing the Sonic's Got A Ray Gun EP in 2017.

Spool the reel-to-reel forward a few years and the Pompey Surf Punks are back at it; new single Haunted, released via Portsmouth label Mayfield and featuring Rat Scabies (yes, THAT Rat Scabies) on drums, has a stomping swagger about it. A heady blend of guitars and thumping drums that power the tune along, laced with distorted vocals and organ stabs fill which out the sound to make something sinfully catchy. It's a great return although, and I'll admit this might sound picky, my only complaint would be that it sounds too slick for Emptifish (where's Lee Mavers with his bag of dust when you need it?)

 

To celebrate the new release the band are playing a rare live date, a home town gig at The Old Barn, on Sunday 5th May where they'll be joined by The Rems, The Dinz and special guests Acid Attack. Tickets are £8 in advance, available from Albert Road's Dress Code or online from book.events.

For a snapshot of the band in their heyday, replete with some very interesting newspaper clippings, check out the Emptifish page on the Portsmouth Music Scene website.

Hungry and The Hunted @ The Bird

A tired looking public house on the Gosport Road may not appear, at first glance, to be Fareham's premier live venue but The Bird In Hand, with its fading paintwork out front and inside walls held firm with load-bearing dust, has over the years gained a reputation for regularly hosting an eclectic selection of live music.

The pub itself is much-loved, dog-eared even, with a grubby charm that's found all too rarely these days; visiting is not like stepping into a generic chained pub, no Wetherspoon or Hungry Horse this and, if those are the kind of hostelries you prefer, The Bird won't be for you. 

There's no stage to speak of, the Pool table is shunted to aside to make room for a band to set up in a corner of the main bar, and bands regularly find themselves coming into very close contact with the music-loving regulars, and that's what makes a gig at The Bird such an experience. 

The venue has an open booking policy, welcoming cover acts, new bands who want to gain live experience and artists from further afield, and all forthcoming attractions are chalked on the wall so everyone knows who's playing and when (there's also a well subscribed Facebook group too). 

Blues-rock trio Hungry and The Hunted bill themselves as "the last Rock & Roll band", describing their sound as "an unholy product of Joe Strummer and Lemmy gatecrashing a Deep Purple rehearsal, armed with a pile of STAX & CHESS records", and a listen to songs from either of their two albums shows that this is not immodest chest-beating. There's a rawness, there's groove, there's honesty, and the band are not shy about who they've been influenced by.



Hungry and The Hunted play The Bird this Sunday, 7th April, and I can think of few better ways of seeing out the weekend then with two hours of "demolition Blues and outlaw Rock & Roll". Entry is FREE, music from 1800.

Snapped Ankles - 'Rechargeable'

Self-professed "woodland agitators" Snapped Ankles' latest release is well deserving of the not inconsiderable amount of airplay it's been receiving of late on 6Music. With its propulsive beats and distorted vocals Rechargeable is a strobe-inducing belter of a track; imagine James Murphy and Lene Lovich fighting over the controls of a jet-speeder as it races across the alkali flats towards an army of Secret Machines commanded by Mark E Smith, that's the movie that plays in my brain each time I hear it.

It's not just me, surely?



Is it?

It is, isn't it?

Oh well.

Regardless, if like me you want to experience their shamanistic stage antics first-hand then there's good news ahoy; the East London outfit will be bringing their brand of "agricultural Kraftwerk" to Portsmouth when they play Psych Fest 2019 on Saturday 4th May (for which tickets, though limited, are still available).

Death By Shotgun @ The Wave Maiden

Bournemouth emo-punks Death By Shotgun kick off a short Spring tour with a stop-off at Southsea craft ale haven The Wave Maiden on Friday 12th April, a nice warm-up for their appearance at Brighton's Washed Out Festival the following day.

The band's latest release Good Times / Sad Times, the vinyl edition of which not only boasts eco-friendly credentials (making every pressing unique) but also features the band's debut EP on the flip-side, is available from Bandcamp via Beth Shalom Records.

Supports for The Wave Maiden gig are TBA, advance tickets are £4 (plus booking fee), available from WeGotTickets, entry £5 OTD.

Crocodile Nightmares: Violet Mud, Sans, Gork and Make Them All Smile

The Checkatrade Trophy is, for those unfamiliar with the vagaries of the beautiful game, the third most prestigious trophy in the realm of English football. Were it not for capricious fate (and two goals from Sunderland) Bristol Rovers would have reached this year's final at Wembley, playing Portsmouth for the honour of lifting the silverware. 

If Rovers had made it to this weekend's final then linking the game to Crocodile Nightmares' forthcoming gig at The Loft, which features bands both from Bristol and Pompey, would not have required such tenuous opening spiel. But that's football for you, it's a funny old game but, at the end of 90 minutes, Ron Manager will have something inane to say.

Noise merchants Violet Mud, local purveyors of raw, loud musical morsels, headline an evening of mellifluous entertainments. The band played the Strong Island Recordings stage at this year's Icebreaker, always a sign of quality.

The first of the Bristle bands is Sans, a three-piece whose Facebook bio likens their output to audio treacle. Mmm, treacle. Ahead of the release of their first long player Misophonic Songs the band released a track, Ode to Marilyn, which is currently streaming on Bristol In Stereo. If you remember Rickyfitts then you may recognise one of Sans.


 
Also out of Brizzle are Gork, a six-headed, twelve-legged power punk pop monster of epic proportions. All hail Gork, our new Bristolian overlords... feed the Gork and it will score, etc..



Rounding out the bill are Make Them All Smile, Portsmouth post-punks with a predilection for choice tunes and post-gig kebabs (who also, like Violet Mud, played the SIR stage at Icebreaker in January).



This fun-packed fixture is scheduled for Friday 12th April, at The Loft on Albert Road, with tickets priced at a bargain £5.

Nod Ya Head #4 - Jeph, Flying Machines & Fugitive Orchestra

The motto "same old town, brand new music" befits Nod Ya Head well, with the Fareham promoter quickly establishing a deserved reputation for booking an interesting mix of bands for its live music nights. The line-up for their fourth showcase, which includes something great from the other side of the Solent, can only add to this renown.

The Isle of Wight continues to bring forth great musical offerings, such as the cinematic electronica of Curxes, the spiky indie-pop of Lauran Hibberd and the eclectic loveliness of Plastic Mermaids. The island's latest export is Jeph, an indie foursome with a lush line of jangly guitar; if you like The Beths then these should be right up your street.



Second on the bill are Flying Machines who, I have no doubt, some idle writer will tailor a quip about being magnificent men. The band Portsmouth band, not to be confused with the London outfit of the same name, released their debut long player Tales of a Quiet Guest last year.



Rounding out the line-up is Portsmouth's own Fugitive Orchestra, the one-man-band of James Tattington, who recently celebrated the release of his new single Tomahawk Caress with a gig at the city's newest venue, The House of Rapture.



Advance tickets for the Saturday 6th April gig at The Roundabout Hotel are available online now via BookEvents, priced at £6, with entry OTD still a snip at £7. 

UPDATE:

02/04 Physical tickets are available for purchase from Heathen Chemistry, West Street, Fareham.

"My name is Ranking Full Stop, so all you really got to do is just-a move you little feet and just-a rock-a to the beat"

The tale of how Ranking Roger came to join The Beat has such a ring of serendipity about it that it sounds almost too Hollywood to be true, more befitting a scene created for dramatic effect in a band biopic than something that happened in real life. Legend has it that it occurred when The Beat supported his then band; whilst watching the warm-up from side of stage it became obvious that this was the better act so, whilst lead singer Dave Wakeling had his back to the microphone, Roger leapt on stage and toasted along. The rest, as they say, is history.

The announcement earlier today of his death from cancer has been followed by an outpouring of love which has populated the internet; the sorrow from bandmates, fans and friends, is testament to how respected and adored he was both in the industry and outside of it. He was that successful rarity in music, a nice guy.

Ranking Roger 1963-2019
RIP

'The final move was made, the knight hung his head, and said "You've won, I've nothing left to play"'

Unconventional. Enigmatic. Reclusive. Idiosyncratic. All these terms and more have been used to describe the life and career of the legendary Scott Walker whose death, at the age of 76, was announced earlier today. A bass player who became a teen idol, a pop star who developed into an avant-garde icon, his trajectory through the music world produced some of the most interesting and beautiful music I've been fortunate to hear.

Like most folk my age I first encountered Scott Walkers' voice via The Walker Brothers, most likely through hearing the rousing anthemic notes of The Sun Ain't Gonna Shine Anymore pouring forth from my Mum's hi-fi speakers, with it taking immediate residence in my mind's music library. It was only some years later before I stumbled across what he did next, the rich, dark pop of his first four solo albums. 

Scott 1-thru-4, with their sumptuous production, lush strings that under-pin ever interesting lyrics, a sprinkling of judicious and eclectic versions, all topped with that voice. Oh, that voice. The man may be gone but his voice will always be with us and, I hope, ever will it be that people experience the joy of hearing it for the first time, wanting to hear it again and again.







Scott Walker 1943-2019
RIP

The Domestics @ The Festing

Ipswich punk/hardcore outfit The Domestics descend on Pompey next month, headlining a Portsmouth Punk Promotions/Charlie's Big Ray Gun Records promoted night at The Birdcage, and already I'd put money on a raucous circle pit forming during their set. If you like fast, loud and shouty then this gig will definitely be your bag of chips.



The band play the upstairs venue at The Festing on Friday 6th April, with local bands Hack Job and Flybums so far announced as support. For the low low price of £5 you can enjoy an evening of loud guitars, throaty vocals and fast drumming (with the chance of suffering a ringing head the following morning being highly likely).

Hotel Lux - 'English Disease'

"we're all in the bar drinking Stella Artois, referencing Sartre and Danny Dyer"

It's an oft used phrase, the English Disease, and a cursory rummage on the internet will throw up several meanings, invariably inferring to the country's 1970's status as the "sick man of Europe". The English Disease referenced in Hotel Lux's new single is, however, a louche take on our current woebegone situation.

Though now based in London (and appropriated accordingly by the NME) Hotel Lux will always be a little bit Portsmouth (you only need to check their merchandise to know where they're from); listening to this latest tune reminds me of many nights spent in some of the less salubrious hostelries around here. 

Comparisons to Blur's 1994 take on British culture may be levelled but this is a different beast, it foregoes the cockiness of Phil Daniels' vocal delivery for a casual drawl that uses the pub as a metaphor (with a telling lyric about jukeboxes). It's a casual, ambling, drunken singalong of wonky loveliness, with its slight discordant guitar chime, that says more about modern Britain in three minutes than some of us might be comfortable with. And that's why I'm going to listen to it again...

Lower Slaughter @ The Loft

Marsh Gibbon. Queen Camel. Lickfold. Curry Mallet. Throop. The English countryside is liberally sprinkled with odd sounding places, quaint hamlets with weird names, that lend themselves easily to naming your new favourite band (though I'll admit Throop does have a bit of a "Brian Pern" feel about it). The Cotswold village of Lower Slaughter, an outpost better known of late as being a no-go area for selling ice cream, might not feature amongst the odder patronymics but, yes, it has indeed named a band.

The musical version of Lower Slaughter are an indie-rock foursome, three quarters of which are based in Brighton (with singer Sinead Young now residing in her home town of Glasgow), who release their second album Some Things Take Work via Newcastle's Box Records later this month. With the new long player imminent the band are taking to the road, stopping off at The Loft in Portsmouth on Friday 5th April.



Support comes from the magnificently monikered You're Smiling Now But We'll All Turn Into Demons, a band who take their name from a comment in documentary about female wrestling (and not, as I previously thought, from a badly translated Anime), Horsefiles and Dad Hair.



Advance tickets are available online from WeGotTickets, priced £7 plus booking fee.

Breakdown 20

In the late Nineties Portsmouth's legendary big beat club night Breakdown brought the joyous sound of breakbeats & loops to the heart of the city. Now, after a gap of nearly two decades, the big beat sound is returning to The Wedgewood Rooms for a one-off celebration, with multiple DJs working their turntable magic across the venue's two rooms.

Breakdown 20 is a celebration of the music that bridged the distance between clubbers and indie kids but it's also a chance to toast the lives of co-founder Carl Edwards, who passed away last year, and DJ Paul ‘Monkey P’ Keeler who died in 2015. Monkey P founded No More Durty Water, a fundraising organisation that works with existing charities to provide safe and sustainable drinking water, and monies raised from Breakdown 20 will go to help both their work and that of local hospice The Rowans.

The line-up for Breakdown 20 includes Simon Heartfield, Mr Foot and George Spence, with resident DJ Jed Nugget spinning a choice set of old school classics and the mighty Plump DJs headlining. 



Breakdown 20 takes place this Friday, 22nd March, with advance tickets priced at £10 (All ages show, under 14s must be accompanied by an adult).

Calamity Cratediggers: Horseflies EP launch

For nearly forty years the brutalist magnificence of the Tricorn Centre dominated the heart of Portsmouth's commercial quarter, a confection of concrete and reinforced steel that stirred opinion, for and against, in all who saw it. In latter years the dank, grey structure looked more like somewhere Rick Deckard would hang out but, in its heyday, the Tricorn was host both to one of the first Virgin Megastores and a venue which the likes of Marc Bolan, Sigue Sigue Sputnik, The Wedding Present and Hothouse Flowers all played.

After years of neglect, and despite the protestations of its architects and the locals that loved its strong presence, the Tricorn was demolished in 2004. However since its destruction the building's legend has grown, becoming the subject of a short documentary, lending its name to an electronica duo and proving to be an inspiration for local artists. Its angular logo features on custom apparel, prints of its likeness have proven popular and now it has inspired the city's newest label, Brutalist Records.

Brutalist are a cassette-only outfit, a format which easily lends itself to DIY releasing despite splitting opinion nearly as much as the architectural oddity that inspired the label's name and logo. The label's initial offering is from Horseflies and to mark its release Brutalist have teamed with local collective Calamity Cratediggers for a launch party at The Birdcage.
  
Horseflies, if you've not yet encountered them, are a magnificent noise machine that consists of both current and ex-members of Deluxe Flamingos & Attack! Vipers!. The band released Fist, the first track from their new Lucidity EP, earlier this year with the song subsequently getting a spin from Tom Robinson on his BBC Introducing 6Music show.
 


Joining Horseflies on the bill are recent These Bloody Thieves signings The Howlers, purveyors of alt/desert rock hailing from east London. If you missed seeing them play the Edge of The Wedge in February, or fancy checking them out ahead of their set at this year's Portsmouth Psych Fest, here's your chance.



Rounding out the line-up are local acts Make Them All Smile and the quite magnificently named Dad Hair (finally, a band name that I can aspire to).



Things get real at The Festing on Saturday 23rd March; entrance is £5 OTD, details of advance ticket information are available via the Facebook event page.

Neverman - 'Too Much Waste'

"two up, two down, you're a frown in a gown"

A short stroll from historic Fort Brockhurst, squirrelled away in an industrial estate, is Gosport's premier rehearsal and recording space Quay West Studio. Over the years the folks behind this fine enterprise have welcomed many musicians through its doors and, since becoming involved with the Wickham Festival, have booked bands across that shindig's stages. 

Portsmouth four-piece Neverman have both recorded at Quay West and been booked by them, recently playing one of the studio's curated gigs at Saint John's Church. The band are due back at Quay West soon to record their next single, Spineless, but ahead of that being released I've given their current release a spin.

If you're a fan of melodic alt-rock, particularly that delivered by Scandinavian bands such as Moi Caprice or The Kissaway Trail, then Too Much Waste may well float your boat (or båd as they say in Denmark). The slightly affected vocal, with its faint warble, sings over shimmery guitars and reflects on how life might not run the way you expect it to. Admittedly, on first listen, the rhyming of the verses may grate with their reminders of Brian Molko's worst excesses, but all is forgiven when the wall of guitars and the melodic chorus hits.

For a band that were new to scene last year this bodes well for Neverman's future, and I look forward to hearing the next single, I just hope they kick that rhyming dictionary into touch.



If you want to catch Neverman live they're playing The Edge of The Wedge on Saturday 20th April, supporting Chichester's Dutch Criminal Record, with advance tickets available now via the Wedgewood Rooms website.

Giant Peach @ The Wave Maiden

Indie quartet Giant Peach pay a visit to Southsea next week, headlining the bijou experience that is The Wave Maiden's upstairs stage. The band, who formed in Brighton early last year, released their debut single in June with a party at the city's Hope & Ruin venue (i.e. the place where I've queued in vain outside at every Great Escape I've attended, despite the bouncer's assurances to the contrary). 

Melatonin is a fine shimmery slice of alt-rock, replete with noodly guitar, moody lyrics and a catchy chorus (which, yes, has a bit of an Enjoy The Silence vibe to it) and has a suitably sparse video to accompany it (though I think leaving your bike in a field and wandering off like that is just asking for trouble).



Support comes from Berlin-based foursome Askers Dodge who'll be bringing some brooding alt-rock to the fray. The lyrics, and vocal delivery of frontman Greg Thompson, are reminiscent of a certain Sheffield band, something which the band allude to in their bio, or even that bloke who always arrives late for his own gigs, but these are merely cosmetic similarities; whilst you may pick up musical references at first listen there is a lot more going on here.



Wyse, who recently released their Switch Of My Controller EP, have been added to the line-up of the Friday 22nd March gig, with tickets are available now priced £4 in advance (via WeGotTickets) or £5 OTD. 

 

Updated 17/03 - Poster and support act added

Jerry Williams - 'Gameshow'

"Lights out, have gone out, I’m worn out from sat here watching gameshows by myself"

Singer-songwriter Jerry Williams has gained a deserved reputation for producing foot-tappingly catchy tunes, slick combinations of singalong lyrics and memorable choruses that take an easy residence in the brain. New release Gameshow however is a stark remove from Jerry's norm, an achingly haunting tune of loss and goodbye inspired by the loss of a family friend.

Near whispered vocals lilt delicately over slow a mournful piano, an approach that lets the weight of the lyrics take hold. It's a beautifully sad song, full of bittersweet loveliness, that may very well leave you misty-eyed after listening.

Gameshow has been released as a streaming EP which includes recent release David At The Bar, as well as live favourites Left & Right and Grab Life, and is available now via the usual online suspects.

RSD 2019 @ Castle Road

Record Store Day, the annual celebration of vinyl and the shops that sell it, takes place this year on Saturday 13th April. On that day, all across the globe, eager vinylphiles will form queues outside their favourite record shop, with those present crossing their fingers that they'll be able to procure that yearned for item from amongst the large array of shiny delights on offer this year.

Southsea's famed Pie & Vinyl has, since it first took part in Record Store Day, seen an ever growing number of punters pitching up outside its doors, all keen to get their mitts on that special pressing. Some get there early, some mosey along in the afternoon and a hardy few wait overnight to ensure they don't miss out.

For the past few years Castle Road, where P&V proudly sits, has joined in with the RSD celebrations by closing itself to traffic and hosting an array of local traders, artisan comestibles and live music. This year marks the fifth such takeover and, though no artists have yet been announced, whoever plays will be joining such alumni as Emily Barker, Jerry Williams, Blenaevon, Plastic Mermaids, Smoke Fairies and IDLES (no, really).

Even if vinyl isn't your thing (I know, but there are some folk who prefer CDs or, yes, even cassettes) it's well worth a visit to enjoy the ambience of a Southsea street showing its best garb, procure a gourmet cheese toastie or even replenish your supply of hot sauce (and best of all it's completely FREE to attend, which is nice).

Fugitive Orchestra - 'Tomahawk Caress'

"You know I love the feel of your tomahawk caress, got your finger on the button babe, you ain’t nothing like the rest"

Singer-songwriter James Tattington is better known by his nom de scène, Fugitive Orchestra, a moniker he lifted from a Ballard novel (don't ask me which one, I've not the foggiest). A veritable one-man band of guitar & pedals James has performed at venues across the South and at both the Victorious and, more recently, Icebreaker festivals.

New single Tomahawk Caress is a slick, funky slice of alt-pop, fuelled by a thrumming electro bass and laden with claps; there's some Chic-esque guitar in the mix and, to be honest, there's a feel of Har Mar about it (and that's no bad thing at all). It could be argued that it's a bit too early in the year for something as summery as this, its foot-tapping beats ideally suited to power a friend-packed BBQ on a hot afternoon, but that's climate change for you.



To celebrate the release of the new single, and the video that accompanies it, Fugitive Orchestra is (are?) holding a launch party at Portsmouth's newest venue, The House of Rapture, this Friday, 8th March. Support comes from Hometown Show and To Retort and, if the lure of live music and Staggeringly Good's excellent beverages weren't enough to tempt you out on a Friday night, entrance is FREE! Doors from 1930, music from 2000, so best to get there early if you want don't want to miss out.